TuneUp Utilities 2010 v9.0.3000.136 EN-US | 22 MB
TuneUp Utilities 2010 can quickly make your Windows operating system faster, easier to use, and more secure. And all operations performed on the operating system are completely safe, because all changes are monitored by TuneUp Rescue Center and can be undone at any time. AllTuneUp Utilities modules can be accessed through a common interface that is divided into six categories. In addition, the main window also has three general buttons in a dark gray bar to the right at the top of the window. Pressing the first button starts the TuneUp Rescue Center module. The second button starts the TuneUp Update Wizard, which can be used to updateTuneUp Utilities 2009 to the latest version over the Internet. The last button provides help and settings that you can use to customize the software package to meet your needs.The new Start pageTuneUp Utilities 2010 welcomes you with a completely redesigned Start page, which tells you about the status of your computer. If problems or nonoptimalsettings are found, you are only a mouse-click away from resolving them. The Start page also tells you when new tips for increasing computer performance are available and warns you if maintenance tasks are not being taken care of automatically. The Start page also shows you whether new automatic startup programs have been added to Windows since the last time you ran TuneUp Utilities. You can decide whether these programs that start up automatically are really necessary.TuneUp Speed OptimizerWhich settings slow your computer down? Which unnecessary services or programs are running in the background? Is your Internet connection optimally configured? TuneUp Speed Optimizer knows the answers to all these questions. It examines your entire system for bottlenecks, superfluous background programs, and incorrectsettings . Great: with just one click you can carry out most optimizations very quickly. In addition, TuneUp Speed Optimizer provides suggestions for speeding up your system.TuneUp Shortcut CleanerCleaning up your working environment is tedious: removing invalid shortcuts from the Start menu, the Desktop, and the Quick Launch bar is very time-consuming. TuneUp ShortCut Cleaner now does the work for you. It checks whether all shortcuts are valid and removes the orphaned ones with just a click of a button. At the same time, empty folders are removed from the Start menu. TuneUp ShortCut Cleaner also checks frequently used programs and cleans up the list of recently opened files.Support for the Opera browserAfter hard disk defragmentation, which we introduced in TuneUp Utilities 2009, the feature most requested by customers was support for the Opera browser. TuneUp Utilities 2010 now also includes full support for Opera. Via several special Opera settings, TuneUp System Control now allows you to change the number of Speed Dial entries, conveniently choose your default search engine, and reenable fast backward and forward navigation. Internet optimization lets you optimize Opera's performance for your Internet connection. Free up disk space lets you delete the Opera cache.TuneUp StylerNow you can also change the Vista logo animation which appears just before logon. You can download a whole series of great animations from the TuneUp website. Or, if you prefer, you can choose your own personal image to display while Vista starts up. With Vista, you can also add your own images to Vista's logon screen: With just a few mouse clicks you can create a truly personal logon experience.TuneUp Uninstall ManagerRedesigned from the ground up, TuneUp Install Manager now runs much faster and has a new, even more intuitive interface so that it is even easier to uninstall unnecessary programs. Unnecessary programs often are forgotten because they were installed a long time ago and then not used.TuneUp Utilities 2009 shows you a list of programs not used for a long time so that you can target for uninstallation those applications that use valuable disk space and in certain circumstances even slow your system down.TuneUp StartUp ManagerA smooth-running system results when there are no unnecessary autostart applications. The improved TuneUp Startup Manager organizes your programs into groups and provides clear explanations to make it easier for you to identify those programs that are not needed.New automatic startup programs are now highlighted so that you can disable unwanted entries more easily. System starttasks are now also listed in TuneUp StartUp Manager In Vista, in particular, scheduled tasks are used in place of autostart entries.Free up disk spaceThe already rapid display of disk space to be freed up is now even faster on NTFS drives. And now it is so easy to delete even more unnecessary files, like the backup files for the first Windows Vista service pack and the Opera and Safari caches. The second "Free up disk space" module that helps you turn off Windows functions that use excessive disk space has also been enhanced. The Windows Search index can now be disabled and deleted with a single click. This makes particular sense if you are already using a different search engine. In addition, TuneUp Disk Space Explorer now runs faster and no longer requires that an entire drive be analyzed. You can now specify that only those folders be analyzed that you are really interested in.Lots more improvementsAlong with the totally new features, there are a series of improvements that are not immediately visible. There are small improvements like Tooltips in the main window, a substantial increase in the number of problems that can be found byTuneUp Registry Cleaner, and better progress feedback from TuneUp Drive Defrag. But there are also big improvements "under the hood". Two good examples are a completely reworked installation program and significant improvements in our update technology.
TuneUp Utilities 2010 v9.0.3000.136 EN-US FULL
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Sunday, January 10, 2010
TuneUp Utilities 2010 v9.0.3000.136 EN-US FULL
Guns N Roses - Live At The Ritz [1988][MP3 DOWNLOAD]
Biography by Stephen Thomas Erlewine & Greg Prato @allmusic.com
At a time when pop was dominated by dance music and pop-metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don't play rock & roll. They were ugly, misogynist, and violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit, "Sweet Child O' Mine," showed. While Slash and Izzy Stradlin ferociously spit out dueling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city. Meanwhile, bassist Duff McKagan and drummer Steven Adler were a limber rhythm section who kept the music loose and powerful. Guns N' Roses' music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest -- everything that good hard rock and heavy metal should be. There was something refreshing about a band who could provoke everything from devotion to hatred, especially since both sides were equally right. There hadn't been a hard rock band this raw or talented in years, and they were given added weight by Rose's primal rage, the sound of confused, frustrated white trash vying for his piece of the pie. As the '80s became the '90s, there simply wasn't a more interesting band around, but owing to intra-band friction and the emergence of alternative rock, Rose's supporting cast gradually disintegrated, as he spent years in seclusion.Guns N' Roses released their first EP in 1986, which led to a contract with Geffen; the following year, the band released their debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn't start selling until almost a year later, when MTV started playing "Sweet Child O' Mine." Soon, both the album and single shot to number one, and Guns N' Roses became one of the biggest bands in the world. Their debut single, "Welcome to the Jungle," was re-released and shot into the Top Ten, and "Paradise City" followed in its footsteps. By the end of 1988, they released G N' R Lies, which paired four new, acoustic-based songs (including the Top Five hit "Patience") with their first EP. G N' R Lies' inflammatory closer, "One in a Million," sparked intense controversy, as Rose slipped into misogyny, bigotry, and pure violence; essentially, he somehow managed to distill every form of prejudice and hatred into one five-minute tune.Guns N' Roses began work on the long-awaited follow-up to Appetite for Destruction at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums Use Your Illusion I and Use Your Illusion II were released in September 1991. Messy but fascinating, the albums showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute art rock epics with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it. The albums sold very well initially, but while they had seemed destined to set the pace for the decade to come, that turned out not to be the case at all.Nirvana's Nevermind hit number one in early 1992, suddenly making Guns N' Roses -- with all of their pretensions, impressionistic videos, models, and rock star excesses -- seem very uncool. Rose handled the change by becoming a dictator, or at least a petty tyrant; his in-concert temper tantrums became legendary, even going so far as to incite a riot in Montreal. Stradlin left by the end of 1991, and with his departure the band lost their best songwriter; he was replaced by ex-Kills for Thrills guitarist Gilby Clarke. The band didn't fully grasp the shift in hard rock until 1993, when they released an album of punk covers, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but their own Appetite for Destruction. By the middle of 1994, there were rumors flying that the band was about to break up, since Rose wanted to pursue a new, more industrial direction and Slash wanted to stick with their blues-inflected hard rock. The band remained in limbo for several more years, and Slash resurfaced in 1995 with the side project Slash's Snakepit and an LP, It's Five O'Clock Somewhere.Rose remained out of the spotlight, becoming a virtual recluse and doing nothing but tinkering in the studio; he also recruited various musicians -- including Dave Navarro, Tommy Stinson, and ex-Nine Inch Nails guitarist Robin Finck -- for informal jam sessions. Remaining members were infuriated by Rose's inclusion of childhood friend Paul Huge in the new sessions when both Stradlin and Clarke were excluded from rejoining the band. And a remake of the Rolling Stones' "Sympathy for the Devil" was essentially the straw that broke the camel's back, as Rose cut out some of the other member's contributions and pasted Huge over the song without consulting anyone else. By 1996, Slash was officially out of Guns N' Roses, leaving Rose the lone remaining survivor from the group's heyday; rumors continued to swirl, and still no new material was forthcoming, though Rose did re-record Appetite for Destruction with a new lineup for rehearsal purposes. The first new original GNR song in eight years, the industrial metal sludge of "Oh My God" finally appeared on the soundtrack to the 1999 Arnold Schwarzenegger film End of Days. Soon after, Geffen issued the two-disc Live Era: '87-'93.2000 brought the addition of guitarists Robin Finck (of Nine Inch Nails) and Buckethead. 2001 was greeted with Guns N' Roses' first live dates in nearly seven years, as the band (who consisted of Rose plus guitarists Finck, Buckethead, bassist Stinson, former Primus drummer Brian "Brain" Mantia, childhood friend and guitarist Paul Huge, and longtime GNR keyboardist Dizzy Reed) played a show on New Years Eve 2000 in Las Vegas, playing as well at the mammoth Rock in Rio festival the following month. On New Years Eve 2001, the band played almost the exact same set as the year before.An appearance at MTV's 2002 Video Music Awards helped garner interest in the new lineup, but a rusty performance from Rose and an interview where he said his new album wasn't coming out anytime soon didn't do much to further their cause. That summer, the band started on their first tour in almost eight years, and they managed to fulfill all of their commitments in Europe and Asia. Sadly, they caused a violent and destructive riot in Vancouver when Rose failed to show up for the first date of their North American tour. While he was up to his old shenanigans with the retooled lineup, former Stone Temple Pilots vocalist Scott Weiland, Slash, Sorum, and McKagan formed the successful Velvet Revolver in spring 2002.And so years passed and still no new GNR album, to the point where it became a joke to many. The album was long billed as Chinese Democracy, and occasionally session recordings would leak and make their way onto Internet file-sharing networks. A fascinating article written by Jeff Leeds for The New York Times, published March 2005, revealed how tangled and costly the making of the album had become. According to the article, titled "The Most Expensive Album Never Released," Rose began work on the album in 1994 and racked up production costs of at least 13 million dollars. Producers involved with the album at one time or another include Mike Clink, Youth, Sean Beavan, and even Roy Thomas Baker. (Curiously, Moby claimed to have been offered the job as well.) Marco Beltrami and Paul Buckmaster were allegedly brought in for orchestral arrangements, and there was a revolving door of guitarists. In 2006, the album seemed closer to release, as Rose began surfacing in public and even took his band on the road for some shows.
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Yngwie Malmsteen - Marching Out [1985][MP3 DOWNLOAD]
Review by Steve Huey @ALLMUSIC.COM
Malmsteen's playing on the follow-up to the epochal Rising Force is slightly more raw and aggressive, but the most notable difference is the addition of lyrics on many of the songs. By his own admission, Malmsteen isn't much of a lyricist, and his frequent use of occult and pagan imagery (demons, Vikings, and so on) isn't as effective at producing a dark, gothic mood as his compositions and guitar playing are. Still, those aspects of the album are vital and stimulating, making Marching Out a worthwhile listen.
01-Prelude.mp3
02-I'll See The Light, Tonight.mp3
03-Don't Let It End.mp3
04-Disciples Of Hell.mp3
05-I Am A Viking.mp3
06-Overture 1383.mp3
07-Anguish And Fear.mp3
08-On The Run Again.mp3
09-Soldier Without Faith.mp3
10-Caught In The Middle.mp3
11-Marching Out.mp3
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